Words: Martyn Pepperell
Prior to working at Melodics, New Zealand’s Rodi Kirk built a rock solid reputation as a dependable party rocker, Red Bull Thre3style Championship winner, touring DJ, and record producer under the alias Scratch 22. Alongside his production efforts for himself and others as Scratch 22, Rodi was one-third of crucial low-profile jazz rap trio The Unseen, and legendary Auckland party collective The ARC. In 2017, Rodi took up the role of Head of Education and Content Strategy at Melodics.
Before his daughter’s birth, Rodi Kirk had spent the majority of his decade-plus career in music working as a producer and focusing on the end goal of creating recordings. “After she was born, I didn’t hit record for a year,” Rodi explains. He’d just come out of a particularly demanding jazz project and wanted to take a break to get into the groove of fatherhood, but without losing his connection to music.
Instead of writing, recording, and producing, Rodi started spending a small period every day playing music, with no goals but to create a regular sense of musical engagement for himself. As he continues, “It was a really powerful experience because, at the same time, I had the realisation that by existing in a moment, my music became a lot lighter with more variation, and it felt really cathartic. It was my way to relax.”
“I had the realisation that by existing in a moment, my music became a lot lighter with more variation….It was my way to relax.”
By engaging with music as a process and not an object, Rodi was tapping directly into the idea of Musicking, and the historical context of music before the 20th-century recording revolution. A concept formalised by New Zealand-born musician, educator, lecturer and author Christopher Small (1927-2011) in Musicking, his 1998 book of the same title, throughout his academic career, Christopher advocated for the return to music as an activity. He riffed on thoughts around musical relationships: the relationship between composers and players and the relationship between players and listeners and dancers. In the process, Christopher presented a 360-degree vision of music through musicking, one where the shared engagement of all involved determines the quality of a musical performance.
By stepping away from recording, and simply reveling in playing daily, Rodi was the performer and the listener, and musicking was giving him what he needed. “If your end product is to create a musical product, that is fine, but it carries a lot of baggage with it as a result of that process,” he explains. If your end goal is to create a musical experience for yourself, that’s a lot lighter and often more enjoyable.”
Like Christopher, Rodi sees music as a process or activity, which if you consider the history of music, is what it was for tens of thousands of years. Over the last six or seven decades, music’s role as an active activity within daily life subsided, as recorded music created a passive relationship between producers and consumers.
For Rodi, the rise of DJing and the technology Melodics trades in like pad controllers, is a reminder that people once had, and still want, an active engagement with music. So why not deliver an easy, intuitive, and encouraging entry point into shifting people’s relationship with music back into the engaged, everyday mode our ancestors knew it though? As such, in line with Christopher’s thoughts, Melodics lessons, and the deep practice learning process they draw from, serve to create an easy workflow for integrating the act of musicking into our daily routines, and reaping the multitude of associated rewards that follow.
“A simple but really powerful idea …that greatness isn’t born; it’s grown.”
“Music learning can produce a sense of accomplishment, build self-confidence, enhance emotional development and strengthen discipline and intellectual curiosity,” Rodi enthuses. “It’s widely proven that music and arts, as part of a curriculum, has huge flow-on benefits to other aspects of education. Confidence is key, and positive reinforcement and building good habits around practice creates a really powerful feedback loop.” Practice doesn’t always make perfect, but it can lead to something close enough. “A simple but really powerful idea we have here is that greatness isn’t born; it’s grown.”