Aug 07

The Breakdown: DJ Scratch’s 20 Best Samples and Beats

by in Music

To celebrate DJ Scratch’s 30-plus years in the rap game, Melodics Magazine culled through his massive discography and picked out 20 of his best samples and beats.

Throughout the 1990s, hip-hop developed a plethora of pioneering DJs who eventually stepped behind the turntables and became legendary producers. DJs like Pete Rock, Premier, Marley Marl, Jazzy Jeff, Kid Capri and the late Jam Master Jay are just some of the distinguished names who went from world-class DJs to influential producers without sacrificing one art form for another. In fact, both art forms are closely connected. In many creative situations, elements of DJing can be used for music production, too.

Nobody personifies this better than DJ Scratch, born George Spivey, a legendary DJ and a whiz kid on the turntables. The three-time Grammy nominees acrobatic skills on the 1’s and 2’s led him to win several DJ championship titles. The Brooklyn, N.Y. native is the 2010 Master of the Mix winner and was a three-time “Turntablist of the Year” honoree at the Global Spin Awards. And he’s a New Music Seminar Battle for World Supremacy DJ champion.

Scratch, who was a protege of the late Jam Master Jay, would eventually lend his turntable skills to EPMD and become their official DJ. After his stint with the iconic rap duo, Scratch would become one of the central figures of the 1990s East Coast hip-hop production era. He crafted stellar beats for Busta Rhymes, LL Cool J, PMD, Das Efx, among many others.

Scratch is a master at sampling and taking unconventional sounds or vocals from rare vinyl LPs and turning them into musical gold.

“I always approach producing like how I approached DJing. I didn’t want to do what was popular…I always wanted to create something [different on the turntables],” he said in 2017. “If you really take a look at my discography, I didn’t sample stuff that everybody was sampling. In the ’80s, early ’90s, everybody sampled James Brown — everybody. And I was like, ‘we need to do something different.'”

Check out DJ Scratch’s 20 Best Samples and Beats below.

20. PMD – “I Saw It Cummin’

Original Sample: Ohio Players – “Funky Worm
Using one of West Coast hip-hop’s foundational samples, “Funky Worm” by the Ohio Players, DJ Scratch adds the twinkling Moog synthesizer to the slow-pounding beat. Along with the vocal samples from Snoop Dogg’s “Gin & Juice” and Ice Cube’s “No Vaseline,” the song has a G-Funk feel but is still dripping with East Coast flavor.

19. DMX – “The Rain” (2003)
Original Sample: Greg Perry – “Will She Meet The Train In The Rain

Scratch went into his collection of 45s and pulled out this 1975 gem from soul singer Greg Perry. He used the entire song to craft DMX’s solemn song from his 2003 album, Grand Champ. From the flute and piano riffs to Perry’s monologue, to the funky bop, Scratch flipped something old to new again with his unique sampling skills.

18. Wu-Tang Clan – “Watch Yo Mouth
Original Sample: Lalo Schifrin – “More Plot” (1967)

Scratch grabbed the crackling snare from Iron Butterfly’s 1968 song “Get Out of My Life, Woman” but the haunting violin groove on the song is from Lalo Schifrin’s 1967 Mission Impossible score, which brilliantly sets the mood for Wu-Tang Clan’s menacing rhymes.

17. Das Efx – “Bad News” Featuring PMD
Original Sample: Power of Zeus – “The Sorcerer of Isis (The Ritual of the Mole)

Scratch used the monstrous drum and snare pattern featured at the beginning of Power of Zeus’ 1970 song “The Sorcerer of Isis (The Ritual of the Mole).” It’s a classic breakbeat that’s been used by many legendary DJs, including Pete Rock.

16. Busta Rhymes – “We Could Take It Outside
Original Sample: Henry Mancini – “The Windmills of Your Mind
DJ Scratch and Busta Rhymes have created a plethora of classic bangers together. This is one of many featured on this list. In addition to cutting up Run-DMC’s vocals from “Beats to the Rhymes,” Scratch looped Mancini’s tranquil piano to set the mood.

15. Beanie Sigel – “Purple Rain” (Feat. Bun B)

Original Sample: The Dramatics – “In the Rain
The piano riff and guitar lick from the Dramatics classic soul ballad are placed perfectly on Beanie Sigel’s solemn ode about lean addiction.

14. Talib Kweli – “Shock Body
Original Sample: Gaspare “Gap” Mangione – “Boys With Toys

DJ Scratch is very precise when it comes to sampling. In this instance, he sampled the dramatic horns from “Boys With Toys,” which effectively gives the song a sense of urgency for the listener to pay attention to Kweli’s impactful lyrics.

13. Will Smith – “Gettin’ Jiggy Wit It” (DJ Scratch Remix)
Original Sample: Stephanie Mills – “Put Your Body in It
While Scratch is mostly known as a producer, he’s also a great remixer as well. Will Smith’s 1997 song was already a club hit, but Scratch flipped it and turned it into an ‘80s skating rink jam. By slowing down the funky instrumental on Mills’ 1979 song, he turned Will’s track into an ‘80s version of “Bounce, Rock, Skate, Roll.”

12. Q-Tip – “N.T.” (Featuring Busta Rhymes)
Original Sample: Brethren – “Outside Love by Brethren

Once again, Scratch used a familiar breakbeat and flipped it on its ear. There’s also a piano sample on here that we cannot place, but it fits perfectly on this head-nodding track.

11. Flipmode Squad – “Everybody on the Line Outside
Original Sample: Tangerine Dream – “Impressions of the Sorcerer

When it comes to sampling, Scratch is not afraid to use music from rare recordings. For this Flipmode banger, he used the synths stabs from Tangerine Dream’s 1977 song. It’s a small sample but effective.

10. 50 Cent – “I’m a Hustler
Original Sample: Barry White – “Mellow Mood (Pt. 1)
Once again, when Scratch uses a sample it’s for a purpose. Much like the title of Barry White’s song, the orchestral sample sets the mood for Fif’s urgent lyrics of getting rich or die trying.

9. LL Cool J – “Ill Bomb”
Original Sample: David Porter – “I’m Afraid the Masquerade Is Over
David Porter’s tickling piano groove was most famously sampled on The Notorious B.I.G.’s classic 1994 song “Who Shot Ya.” But Scratch went a different route with Porter’s soulful tune. The ingenious producer took a snippet of the horn riff (heard midway in the song) and Porter’s vocals to create a definitive East Coast banger for Uncle L.

8. Busta Rhymes – “Do the Bus a Bus
Original Sample: Jimmy Spicer – “The Bubble Bunch

Scratch sampled some classic ‘80s songs for Busta Rhymes’ head-nodding track. He took the computer blips and funky groove from Spicer’s 1982 jam to lay the foundation. And if you listen closely, there are interpolations of Malcolm McLaren’s 1982 songs “Buffalo Gals” and “Zulu’s on a Time Bomb” in there as well. This is a complete ‘80s to ‘90s party jam.

7. Pharoahe Monch – “Intro
Original Sample: Oliver Nelson – “Blues and the Abstract Truth

Scratch flipped Oliver Nelson’s jazzy trumpet blasts for Monch’s fiery manifesto on “Intro” from his 1999 album, Internal Affairs.

6. EPMD – “Funky Piano
Original Sample: Albert King – “I’ll Play the Blues for You

During his stint with EPMD, DJ Scratch produced some great songs for the iconic rap duo. This is one of them. There are a plethora of samples on here. He sampled King’s guitar riffs, James Brown’s “Funky Drummer” and Chuck D vocals from “Timebomb,” among others. Scratch also cut up Trouble Funk’s “Pump Me Up” as well.

5. Sadat X – “Maybe It’s Me” (Featuring Dres)
Original Sample: Unknown

There’s no sample on here, but the beat is fantastic. Scratch most likely used an AKAI MPC2000XL to sequence a piano groove that sounds as if he sampled an old piano riff from a vintage jazz album. It’s quite impressive.

4. Swizz Beatz – “Echo” (Featuring Nas)
Original Sample: The New Birth – “Echoes on My Mind

Scratch sampled the tranquil guitars and soulful hahs and woos from the New Birth song, while Swizzy and Nas Escobar deliver their introspective New York street stories.

3. Busta Rhymes – “Gimme Me Some More”
Original Sample: Bernard Herrmann – “Psycho Theme”

Here’s another classic from Scratch and Bussa-Buss. The creative producer looped a snippet of Herrmann’s orchestral violins, which pierces through the chaotic production. And like the title of Herrmann’s song, Busta goes lyrically psycho on the track.

 

2. EPMD – “I’m Mad” (DJ Scratch Jazz Remix)
Original Sample: Soho – “Hot Music (Jazz Mix)

This is, arguably, one of DJ Scratch’s greatest beats in his discography. The catchy piano riff heard throughout is from Soho’s classic b-boy jam “Hot Music (Jazz Mix),” which is a sample from Wynton Marsalis’ 1986 song “Skain’s Domain.”

1. Busta Rhymes – “New York Shit”
Original Sample: The S.S.O. Orchestra – “Faded Lady

S.S.O. Orchestra’s 1976 soul tune “Faded Lady” has been sampled multiple times in hip-hop – most notably by Diamond D on his 1992 song “I Went for Mine – and Scratch looped the breakbeat brilliantly for Bussa-Buss’ New York anthem “New York Shit.”

Feb 02

DJ Day – Learn To Flip The ‘Impeach The President’ Classic Break

by in Music, New Lesson Tuesdays

This week we have new cue point lessons from one of Palm Springs finest musical products DJ Day. With a career that has spanned over two decades DJ Day has done it all. From cutting his production teeth in the LA underground with the likes of Exile and People Under The Stairs, to becoming a highly acclaimed DJ behind the turntables.

The Lessons

DJ Day brings us five lessons that are cue point flips of the “Impeach The President” classic break.

This classic break has been used in numerous hip hop classics throughout the years including Unbelievable by The Notorious B.I.G. , Wet Dreamz by J Cole , The Message by Nas and Top Billin by Audio Two

In fact one of the lessons will walk you through exactly how to perform the flip and recreate the beat for ‘Top Billin’

The other flips that DJ Day has cooked up include Dancehall, Shuffle and Swing grooves. These patterns can be further applied to other tracks in your library to help add something extra to your DJ sets and production sessions.

We have more coming from DJ Day this week with an interview and a video of him performing some of these lessons. So stay tuned and enjoy the lessons.

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Dec 15

Classic Breaks – Sing Sing, Think & Doggone

by in Melodics, New Lesson Tuesdays

This weeks New Lesson Tuesday covers the Classic Breaks affectionately known as ‘Doggone’ , ‘Sing Sing’ and ‘Think’. These three drum breaks have been used in 100’s of tracks throughout the decades in a variety of genres. We will run through each, break by break to give you a snapshot of the history behind there influence.

Love – Doggone – ‘Doggone Break’

Love was an influential psych rock band active in the late 60s / early 70s.   The band had a small degree of commerical success but were later praised by critics with there 1967 album Forever Changes being listed #40 on Rolling Stones 500 Best Albums Of All Time List in 2003.

Clocking in at whooping 12 minutes long, Doggone features a 9 minute drum solo by George Suranovich that provides lots of sample opportunities. However the loop that can be heard in the video above has been most widely used. This break went widely unnoticed by producers and collectors until Kanye West used it in his productions in the early 2000s. Below are a few more recent examples of tracks that have sampled ‘Doggone’.

Talib Kweli – Get By

John Legend – Used To Love You

Kendrick Lamar – Hol Up

Gaz – Sing Sing – ‘Sing Sing Break’

While Gaz’s 1978 disco track ‘Sing Sing’ may not be considered an all time classic by most its iconic drum break has been heard the world over. The drum break has been used in hip hop circles by the Wu Tang Clan, took Kylie Minogue to court and is essentially the backbone of Baltimore club music.

“It’s like that lady in the Southern Baptist church with the tambourine – until the lady starts hitting the tambourine, the church don’t start jumping.

DJ Technics (On The Sing Sing Break)

Below are a few examples of the many songs that sample the ‘Sing Sing’ Break.

Wu Tang Clan – Its Yourz

Kylie Minogue – Speakerphone

Rod Lee – Dance My Pain Away

 

Lyn Collins – Think (About It) – Think Break

Perhaps the most unique and iconic break out of the set for its ‘Yeah, Woo’ vocals. Derived from a 1972 Funk record from Lyn Collins the track was produced by the legendary James Brown. Appearing in a variety of genres this song has also been featured heavily ever since and is among James Brown’s most sampled productions.

Rob Base and DJ E-Z Rocks track ‘It Takes Two’ is the most well known and blatant use of this drum break. While Dizzee Rascal also used the break for his hit grime track Old Skool.

Rob Base and DJ E-Z Rock’s “It Takes Two.

Dizzee Rascal – Old Skool

So there you have it. A brief look at what makes this weeks Classic Breaks so ‘Classic’. You can play all of these lessons now on Melodics. Master them and even include them in your own productions like so many great producers in the past have. As always send through any videos of yourself playing Melodics via Instagram using the hashtag #Melodics.

See You Next Tuesday.